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Sex Objects: Art And The Dialectics Of DesireBy Jennifer Doyle
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The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one.
Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire.
In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters.
Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and José Esteban Muñoz, of Pop Out: Queer Warhol.
- Sales Rank: #14815152 in Books
- Published on: 2006-02-25
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .70" w x 7.00" l, 1.38 pounds
- Binding: Hardcover
- 224 pages
Review
"After reading [Sex Objects], you get the feeling that Doyle is exactly the kind of companion you'd like to have along at a museum or a show, where she'd make you snicker, cry, think, or desire in all the wrong places." - Cynthia Young -- Women's Studies Quarterly, Spring 2007
"A rich and complicated book...Doyle's writing is applicable to any of us, to artists in all disciplines." -- Border Crossings: A Magazine of the Arts, Summer 2006
"An excellent disruption of current critical theories about how sex matters in art." -- Art Monthly, December-January 2006-2007
From the Publisher
"A beautiful and provocative book. Doyle convincingly argues that visual culture is inherently sexed and that the study of images tells us something critical about how we inhabit the world." - Amelia Jones, author of Self/Image
From the Back Cover
"Like a brassy fag hag crashing a gay sex party, Jennifer Doyle mixes it up here with a queer lot. Whether she's just watching or actively participating, whether turned on or bored, thinking or crying, or most likely all of these at once, Doyle shows us how crucial a queer feminist perspective is to understanding the erotics of art." -Douglas Crimp, author of Melancholia and Moralism
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